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Call for Papers: “Emmanuel Levinas across the Generations and Continents”

Originally posted on NALS 2015 Conference @Purdue:
The resistance of analytic philosophy to continental philosophy, at least as practiced in the United States, is legion. Anecdotes abound regarding failed attempts to bridge the divide or to discover continuities that have been missed. Increasingly however, younger scholars, thinkers, and critics who have been tempted on the one…

68th Discussion: Julie Maroh’s Blue is the Warmest Colour
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68th Discussion: Julie Maroh’s Blue is the Warmest Colour

Originally posted on Queer Book & Movie Club (Singapore):
This discussion note is written by Brian (who blogs at Foreign Influence). Blue is the Warmest Color drew a nice group of twelve folks together and provoked all of us to make comparisons, even when we tried to avoid them. We compared the book and the…

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Five Films by Apichatpong “Joe” Weerasethakul

by Brian Bergen-Aurand World-renowned Ethnic-Chinese, Thai independent filmmaker Apichatpong “Joe” Weerasethakul (born 1970) has composed one documentary, six critically-acclaimed feature films, and more than forty-five short films, videos, and photography installations since the early 1990s. He has won the Un certain regard prize (2002), Prix du jury (2004), and Palme d’or (2010) at the Cannes … Continue reading

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The Children of Srikandi / Anak-Anak Srikandi

by Brian Bergen-Aurand Produced by the Children of Srikandi Collective, Indonesia/Germany/Switzerland, color, 74 mins., 2012. An omnibus documentary recalling the Mahabharata tale of the hero who is born a girl and becomes a boy, this essay film features nine queer women describing the paradoxes of non-normative life in Indonesia, the world’s largest Muslim country. There … Continue reading

Much Ado About Fracking
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Much Ado About Fracking

Originally posted on Singapore Review of Books:
  “Politics begins in disappointment”. So goes Simon Critchley’s useful aphorism.[1] Naomi Klein’s version thereof could go “politics begins in missed appointments” – from the first warning shots about a “metabolic rift with nature” during the industrial revolution, through to burgeoning science about climate change from the likes…

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Ore is not food. I think I am a monster.

by Brian Bergen-Aurand Recently, I made the claim that perhaps we can read Helen Oyeyemi’s White is for Witching through the lens of structural sexism, where the multi-generational female characters–most especially Miranda–are trapped in the domestic sphere not through overt actions taken directly against them by individual actors, but, rather, by a system of social … Continue reading