by Brian Bergen-Aurand What is the first question of Michael Haneke’s film Caché (2005)? According to Catherine Wheatley, in Michael Haneke’s Cinema: The Ethic of the Image (Berghahn 2009), the primary question we ask while screening a Haneke film, such as Caché, is “Succinctly put, the brutality of Haneke’s films prompts spectators to ask themselves … Continue reading →